Play Along Piano

Tags

Renaissance

''Matona mia cara'', Orlando di Lasso (1532 - 1597)

FarrierPete

2:57	Est. Play Time
116	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	0	3	5	100%
	11	0	2	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	3	5	100%
	11	2	5	100%
Baritone	11	3	5	100%
Bass	12	1	4	98%

Modus Ludendi Pleno Organo Pedaliter. SSWV 157

Bartók forever

3:03	Est. Play Time
33	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98%
	18	6	5	98%
	15	4	5	98%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	15	4	5	98%
	18	6	5	98%
	15	4	5	98%

Adoramus te Christe (TTBB)

esmeadows

1:08	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	9	0	2	6	100%
Tenor 2	11	0	3	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	9	2	6	100%
Tenor 2	11	3	7	100%
Bass	8	1	5	94%
Tenor 1	8	1	6	91%

Es_ist_ein_Schnee_gefallen

FarrierPete

0:21	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	1	5	100%
Bass	8	0	1	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	1	5	100%
Bass	8	1	5	100%
Soprano	5	0	5	100%
Tenor	8	0	5	100%

Cabezón - Tiento sobre Cum Sancto Spiritu

Patrx2

2:50	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	0	6	6	93%
	12	0	3	3	19%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	21	6	6	93%
	12	3	3	19%
	17	4	4	70%
	11	2	3	17%

Passametzo

Bartók forever

3:06	Est. Play Time
31	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		14	12	4	6	100%
		16	0	2	5	100%

Janequin: Au joly jeu

AymericHM

1:10	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		12	19	0	5	96%
		15	14	0	5	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		12	19	0	5	96%
		15	14	0	5	89%

Ballet

Bartók forever

1:41	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		20	14	7	7	100%
		19	1	5	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo		20	14	7	7	100%
		19	1	5	5	96%

La Feliciana | A. Banchieri

Die Viole

1:55	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor (Tenor)	12	0	2	6	100%
Violone (Bassus)	12	0	3	5	99%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor (Tenor)	12	2	6	100%
Violone (Bassus)	12	3	5	99%
Soprano (Cantus)	14	4	4	96%
Alto (Altus)	10	1	6	93%

The King's dance

Samuele Meris

2:38	Est. Play Time
119	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Chalumeau contralto	9	0	0	5	100%
Dulciana	9	0	0	5	100%
View all 7 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Chalumeau contralto	9	5	100%
Dulciana	9	5	100%
Viola tenore	12	5	73%
Violone	6	3	73%
Flauto dolce sopranino in Fa	9	5	71%
Flauto dolce tenore in Do	9	5	49%
Cornamusa soprano	8	5	22%

Un jour je m'en allais / ti ti le li by Jacques de Wert SSATB with IPA

gmolstad

2:13	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (only for practice)	17	23	4	5	99%
	15	0	2	5	55%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (only for practice)	17	23	4	5	99%
	15	0	2	5	55%
Alto	9	0	2	5	100%
Soprano I	13	0	2	5	100%
Soprano II	12	0	2	5	95%
Bass	10	0	2	4	44%
Tenor	8	0	0	5	44%

Tombeau de Monsr. de Lenclos

Bartók forever

0:50	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavichord		15	4	5	6	97%
		16	5	2	4	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clavichord		15	4	5	6	97%
		16	5	2	4	92%

Une jeune fillette - Eustache Du Caurroy

svetski1

0:50	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
A	9	0	2	6	100%
B	8	0	1	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
A	9	2	6	100%
B	8	1	4	100%
S	9	1	6	100%
T	10	1	5	100%

Greensleeves for Student Orchestra

viola.ambera

0:48	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	12	0	3	5	100%
	13	0	2	3	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	12	3	5	100%
	13	2	3	97%
	14	2	5	97%
Viola	14	2	5	97%
Violoncello	12	2	4	97%

April is in my mistress' face

Bartók forever

1:00	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	2	4	100%
Alto	8	0	1	5	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	2	4	100%
Alto	8	1	5	97%
Tenor	8	1	4	92%
Bass	11	2	5	89%

Palestrina: Missa de beate Virgine - Kyrie

Roland Bouman

2:24	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	1	6	94%
Tenor	9	0	1	6	90%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	1	6	94%
Tenor	9	1	6	90%
Soprano	12	2	5	85%
Baritone	11	2	5	83%

Renaissance Improvisations by VivaVoce, from Con la mente e con le mani

Plagal

4:32	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
T.	13	0	4	5	88%
A.	18	0	5	7	85%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
T.	13	4	5	88%
A.	18	5	7	85%
S.	20	7	6	66%
B.	16	2	5	53%